Sunday, May 29, 2005

What Matters

I've been putting off finishing the pitch for Occupation.

I'm not sure why. Maybe it's a combination of fear of success and being so goddamn busy with the new job. Add in a dose of 'reality check' from a respected source (well, respected by me, any way for a variety of reasons) and that's probably the whole reason in a nutshell, salted and roasted whole.

But then, there's the wealth of opinions from other respected sources (including two pros consistently up for industry awards in my mentor Ande Parks and his friend and mine Phil Hester) who tell me to go ahead and wish me well. Encourage me to try and see what happens.

Thing is, I let the negative and the busy overwhelm me. I was perfectly willing to let the beautiful art by Juan Romera go to waste after I paid him to draw it. All because one person said to me that he couldn't get behind it because of the lettering style I chose.

Pfah.

Time to stand up and see what happens. I can take the rejection. I have before. What would the difference be this time? I mean, if I don't try I won't know if it would have happened, do I? I refuse to let the fear beat me. Shawn Geabhart did a beautiful cover for me, Jai Nitz offered to help me with the pitch material (which I'll email to him this week and see if it's as bad I had thought it was), Rob told me it was good, and I can see that the storytelling is THERE. Juan didn't change but two things from the script, and it mad ethe story flow better. I have to try now,or I'll just be one of the wannabes that I decried so many times before.

So I've decided what matters more is the attempt, rather than the one opinon that I valued. That one negative response was a lot to me. So I have to try. I have to do it. That's what matters. That's what matters.

Risers Page 10

>>>>>>>>>>>>>>>>>>>>Start this side and go back against the grain.

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Sunday, May 22, 2005

Risers page 9

There's a new thought-post down below if you'll scroll down after reading this page left to right.

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NEXT.

Mosaic

smash

That's the sound of a ceramic tile being broken with a hammer. It's not a heavy sound, just the real sound of metal on tile, of the metal of the hammer banging through to the table beneath. The pieces must be reassembled with a grout on a piece of something, wood, more tile, something. The result is something that resembles the original picture, but with some space between the pieces, allowing the viewer to insert a piece of himself in between by imagining the empty space filled with something that's not immediately apparent nor even necessarily true.

Remember that everything is true until it's proven wrong.

So the empty spaces that are filled by the viewer are true for each viewer until the next viewer comes along to see.

The empty spaces between panels in comix are called gutters. So the incidental action of the characters' lives on the page are lived in the gutters, in the space between pages.

My work is a mosaic. You see a reassembled version of me when I write here, or give you comix to read. My work is a mosaic of my influences shattered with the hammer of my life and reassemble into the work you see here and somewhere else in print. Alan Moore. Claremont/Byrne/Austin/Wein/Orzechowski/Jones. Judd Winick. Robert Heinlein. Dave Sim. Ande Parks. Phil Hester. Depeche Mode. Failure. Tom Peters. Fred Saberhagen. Thomas Newman. Enki Bilal. Howard Chaykin. Walt Simonson. Terry Moore. Monty Python. Matt Wagner. George Lucas. Steven Spielberg. Alfred Hitchcock. My parents. My son. My wife. My former boss Randy Davis and my current boss Mike Myers. The news on NPR, on BBC, in USA Today or at ljworld.com. My former collaborator Svetlana Chmakova continues to influence me with her work and I want to continue to grow in the event that she and I get the opportunity to collaborate again.

So I live my working life between the spaces of my influences. I cherish the spaces, and the pieces. Every time I can add a new piece to the mosaic, the picture becomes more complete. I have pieces from my childhood, my adolesence, the beginning of my adult life and now the beginning of middle age. These are good things, as Martha Stewart might say, but they are not everything. The pieces of me that the public sees are not necessarily the pieces that are my actual life. That picture is reserved for Bobbi, for my son, for a chosen few others.

I have influenced others, too, but only inasmuch as my work touches their lives, either the public comix work or even more through the day job, where I'm now responsible for a staff of four professional managers and one hundred part-time workers.

These are things I think about during the first cup of coffee on Sunday morning.

Sunday, May 15, 2005

Risers pages 7 & 8

Right to left, as it's my attempt at manga...


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Thanks for reading. Let me know what you think...

NEXT.

Sunday, May 08, 2005

Risers page 6

Read right to left, gang...

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NEXT.

Saturday, May 07, 2005

Deep Talk 12

Into the room walked five people who looked vaguely familiar and Susan, the woman I married. She was more beautiful than ever with her long red hair pulled back into a ponytail. Her green eyes were cold and hard, but she smiled a little to see me. The others were all grim-faced and took seats around the table. Susan came to me and kissed me on the cheek. "How are you doing, Marv?"

"I'm okay," I said quietly. "But honestly, Susan, I'm a helluva lotta confused, too. What is all this?"

She pulled out the chair next to me and sat down. She took my hand and caressed it a little. "It's all pretty complicated, but the simple version is this:

"You're a guardian of sorts. You have, in your head, a timetable. A kind of maintenance schedule. Actually, you have several of them. Dozens."

I was even more confused now. I fell back into how our relationship works. Worked. I interrupted. "Susan, the things I've seen today are pretty amazing, but I think I've managed to handle it all pretty well. Don't beat around the bush with me, please. I trust you, and I love you. I wouldn't have married you if I didn't. Just lay it out for me and I'll ask questions. What's going on?"

Susan looked around me at Erin. Erin shrugged a little and then nodded. Susan took her hand from mine and began to study the table top. This went on long enough for me to look at Erin again, and see that she was becoming worried, and this was the last thing I needed to reassure me that I wasn't in a bad spot.

"Susan?" I said. "Come on..."

"The Namtiil are after dreamstuff, Marv. They sell it on the galactic black market like it's a drug. It IS a drug. So many races throughout the Universe don't dream like humans do." She paused a second to let that sink in. "You have in your head a maintenance schedule for each human world. This maintenance schedule allows humans to sort of --- I don't know --- download, I suppose, their dreams into you. Then, periodically, you pass these dreams on to the next world, into it's communal dream ether. It's Collective Unconscious."

I sat back and put my hands in my lap. What the hell did this mean? Why couldn't I remember any of this?

"You're a kind of cipher, Marv. You're a real person, with real feelings, and real everything, but you're also not really REAL. You're sort of a filter for the hopes and fears of all mankind. It's a big job and you can't remember everything or you'd go mad."

Erin put her hand on my shoulder and turned to me. "Marv, it's crazy-sounding, but it's real. Will you believe that I know this to be true?"

"I'm not sure WHAT to believe. I mean, my wife is some kind of alien leader, I'm some kind of alien conduit and you're some kind of wonder woman? Jesus! How am I supposed to cope with this?"

One of the heretofore silent parties at the table spoke up. An old man with deepset eyes and wrinkles inside of wrinkles all across his face. He was wearing a robe over the black togs that Erin and I were wearing. They all were, but I only just then noticed it. The group was fairly innocuous, but they all had the air of defeated beaureaucrats, except for the old man.

"Marv," he said with a voice that sounded like crinkled rice paper. "We don't have a lot of time. We need you to accept the facts that have been presented to you. The Namtiil are a dangerous race, thuggish and unforgiving. They will seek you out and steal your mind, ending you and eventually ending the human race all across the Universe."

"What?"

Susan took over. "If humans can't take the time to stop dreaming and let the stored up dreamstuff go, into YOU, then they'll eventually all go crazy. They'll kill themselves and destroy their worlds. We can't afford that. The Universe can't afford that. No one wants it, except the Namtiil, who are just single-minded enough to try it. They even have a chance to succeed doing it. Will you take it on faith?"

I looked at her, the old man, and then Erin. Susan and the old man were all business. But Erin had something else in her eyes: a feeling for me. She looked slightly pained, regretful, but not sad. I knew her pretty well, I thought, but how well can I know someone else if I don't even know myself? I had to begin to reexamine everything I thought I knew.

However, there wasn't time. I was going to have to take a lot on faith, as Susan suggested I should. As Erin asked me to believe her. The two women who I thought were most honest with me until the car blasted through the back end of the bar.

"What happens down home? I mean those robot thingies were wrecking the city pretty effectively when Erin dragged me out of there."

"They're being beaten back. They don't realize that you're not there any more. Like I said, they're single-minded, but they're also not the brightest stars in the sky, if you get my meaning." Susan sat back and looked me straight in the eye. "Yes, this is all about you. You're probably the most important being in human history and I need you to tell me that you're going to cooperate."

"What happens if I don't? What happens to me if I do?"

"If you cooperate and allow us to use the dreamstuff you have inside you now, we can send the Namtiil back home with their tails between their legs. If you don't cooperate... Marv, it's better if you do. We're talking about the entirety of the human race scattered throughout the Galaxy and into the Universe. I won't lie, now. If you don't cooperate, we're going to do what we need to do to win." I heard Erin tense up just a little. It was a small thing, but the way her hand on the table closed so tightly, so quickly, I had to make a decision that was purely instinctual and then hope that I could figure a clever way out of it. This sounded to me like I was a doomed figure no matter HOW I answered.

So, I lied.

"What do you need me to do?"

Copyright2005 By Jason Arnett

Sunday, May 01, 2005

Risers page 5

this page contains a bit of nudity. If you are offended by such things, don't scroll down to see the work and come back next week. Remember it reads right to left.

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NEXT.

Deep Talk 11

"What the fuck?"

I watched as my wife, or at least the woman I married... I think she was a woman... I had no reason to believe differently because she acted and felt like a woman when I held her...

"Relax, Marv." Erin held me in her powerful arms and helped me back to my feet. I must have reeled and fell. Jesus.

"Like I said, there are things that I can't explain to you. Some I can begin to explain now, but remember you can't say anything to anyone else, all right?"

I looked at her like she was crazy. "Are you telling me that my entire life is a lie? Is that what's going on here? Am I trapped in a Philip Dick novel?"

I shook Erin off me and felt dizzy. She reached out to keep me off the floor. "Stay away. Just --- don't touch me right now, okay?"

Erin took a step back and became a statue. Or close enough that she looked like one, with the almost nonexistent look on her face. Having spoken with her as often as I had, I'd actually encountered this look before. It was one that always made me cringe a little, because I never wanted to piss her off, and this was her pissed off look. "I'm sorry," I tried to say, but what actually came out was silence. She saw my mouth open and close and then her look softened a little, but she didn't smile. I realized that at this point, that smile was what I needed to get through the next part. I opened my mouth again, but deliberately didn't try to say anything. Just wanted to test myself, as it were.

"Is Susan human? Am I?"

She didn't change her expression, but her eyes moved away from mine. "Yes, both of you are."

Surprisingly, I didn't pass out and fall down. I guess I must've known this on some level. I considered what to ask next with great care. I wanted to ask about a thousand questions to find out more details, to try and grasp what the hell was going on. Deep breath, and then I asked what might get me the most information.

"What can you tell me?"

Erin softened her stance now, and wasn't at attention. I was making progress, or at least I hoped so. "We're a kind of intergalactic NSA, for lack of a better term. We're trying to keep this other race from messing around with your adopted world and its humans. The Namtiil have a nasty habit of leaving behind broken worlds. In more ways than one. We try not to allow that. Fortunately, we were ahead of them in this case.

"Your wife, Susan, is my boss and you're an important part of the scheme. I don't exactly know how you fit into all this, because it's not a need for me to know, but I've been told you're not expendable and I am assigned to protect you. Susan is running a big operation and it will be the end of your world if we fail here. The Namtiil are ruthless and we have to stop them." Erin took a step closer and pursed her lips, looking directly into my eyes. "I like you, too. I pushed you back there because you needed it. I've never met you before this assignment, but I like you. You're actually my kind of guy." She kissed me on the cheek and then caressed my hair. "But I have a job to do and you'll do what I tell you, all right?"

I had to think, I needed time.

"We don't have time," she said. I'd forgotten she could get into my head like that. "Yes, your life is a lie, and no, you're not in a Philip Dick novel. This is real and it's happening. I know you don't remember much past the last six terrestrial months, but you're going to have to trust me that what 's going on is very important to a lot of people on a lot of worlds all across the galaxy. Maybe even beyond."

"I'll play along, Erin," I said out loud. "And I'll do my part, but I have to know what that part is. When do I find out?"

She took me along a nearby corridor without speaking a word, to a small room that had a table and eight chairs in it. "Sit down, Marv, and I'll call the others." I took a chair in the center of one side, not knowing where the head of the table would sit or how this meeting might come out for me. Erin, meanwhile, went to a panel on the wall farthest from me and pressed a button. Nothing else happened and she didn't say anything. She only came back and sat next to me.

"Am I in danger here?" Natural curiousity seems to win out over everyone, doesn't it?

"No, I just want to be close to you. Do you mind?" She wasn't looking at me, only staring straight ahead.

I put my hand on her arm, as much to satisfy myself that this was real and not a dream as to reassure her that I wanted her close to me, too. "Not at all." We sat that way for what must have been fifteen minutes, quiet and unmoving. My hand and my arm never fell asleep. She never moved, but instead looked at me and finally smiled again.

She must have known that everyone else was right outside the door when it opened.

Copyright 2005 by Jason Arnett

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